Quality Microphone Audio

Philip KA4KOE

Kevin J. Darrah

John KB4DU

Well for one thing the professional studio has a very different target audience, and many of the people that record there are overly impressed by an assortment of impressive equipment, regardless of the product. Also, many are recording to multi-track devices, and want/need to manipulate/over-manipulate the the sound. Listening to many recent orchestral recordings tells me many don't really know what the finished sound should be.

Relying on on-the-air reports can be very misleading, due to the setup at the receiving end, conditions, and expectations of the listener.

After spending a lot of time adjusting the Flex EQ (cut before boost, etc), I ended up just adjusting the low cut freq in the transmit passband (using the stock flex mike) to roll off below 250 Hz, and above 3200 Hz.

Mike-VA3MW

Hi David

Do you put your radio into FDX to see how you sound?

This is something I highly recommend all owners do.  This way you can tailor your sound to how you want it to sound.  Not to some sound someone else wants it to sound.   

This is the big advantage of the Flex radio as it is the only one that does Full Duplex.

Mike

KF4HR

David Holmgren

KL4QG

Your great at Patting yourself on back like most here good job-

It’s best go easy and **** way God How has Collins 2A and Yaesu Ft-101 lasted 50 plus years with just Mic gain and good microphone **** and they still sound best on air still today -
Glad it worked out— I worked very hard reinvesting and converting all the audio programs for Flex - I never seem so many people trying out do each other here it’s Ego trips -