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CW Filter Shape Factors
Has anyone with a signal generator measured the CW filter shape factors by measuring the -6/-60 dB points. It may be a little tough to do with the 10 hz frequency step and the S-meter not being calibrated in decibel level, but has anyone attempted this. I'm only asking because, after years and years of using 1.4:1 shape factor crystal filters, I'm not hearing what I expect to hear from "brick wall" digital filters. By using the term "brick wall" filters, I am assuming that this definition implies a much better approximation to the 1:1 shape factor of a "perfect" filter than is possible with analog filters. This is why I would like to know if anyone has measured this using the 6500 narrow CW filters.
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Answers
Did you reach any conclusions about the shape factors? Did I miss
some info from Flex? The vs. 1.1 filters seem fine, but are there some numbers
we can quote on the air?
Ned, K1NJ
f1 = 14,175.340 (-60 dB)
f2 = 14,175.370 (- 6 dB)
f3 = 14,175.630 (-6 dB)
f4 = 14,175.660 (-60 dB)
For the shape factor, use the formula [f4 - f1] / [f3 - f2]
[14,175.660 - 14,175.340] / [14,175.630 - 14,175.370]
The resulting shape factor is about 1.2 for the 250 Hz filter. A few important points that affect computed shape factor accuracy: First, I am unsure of Flex's S-meter accuracy over a 60 dB level span; and secondly, small changes of a few Hz make a huge difference with digital filters. Better accuracy will be observed when moving in 1 Hz increments, rather than 10 Hz (e.g., using DDUtil).
Paul, W9AC
Also for CW the filter shape factor changes at 400, 1000 and 1500Hz to lower latency with a wider filter.
1) shape factor is independent of filter bandwidth chosen (I know how this sounds, but I believe it is a possibility since all that we are analyzing is one side of a skirt) in which case you will also see a 1.2 for the 100Hz filter. If this is the case than all filters in each range will have the same shape factor (0-400, 401-1000, 1001-1500, etc).
2) The other possibility is that the shape factor is bandwidth dependent in which case there will be a progression from 0-400 and then a jump to 401, a progression from 401-1000 and a jump at 1000, etc.
Let me know which it is because I'm curious too!
Same test conditions, but using the 100 Hz filter in CW mode and DDUtil V.3.0.5.00 for 1 Hz frequency steps.
f1 = 14,163.715 (-60 dB)
f2 = 14,163.748 (- 6 dB)
f3 = 14,163.848 (-6 dB)
f4 = 14,163.880 (-60 dB)
For the shape factor, use the formula [f4 - f1] / [f3 - f2]
[14,163.880 - 14,163.715] / [14,163.848 - 14,163.748] = 1.6
The resulting shape factor is about 1.6 for the 100 Hz filter. Note the exact 100 Hz BW between the f2 and f3 - 6dB points.
I went back and re-confirmed the 250 Hz CW filter setting, this time using DDUtil in 1 Hz steps. Same S.F. result of 1.2.
Paul, W9AC
It was bound to be asked: "What's the shape factor of the Flex 6K's typical SSB filter." Here it is: same test conditions but in SSB mode, 2.7K filter and using DDUtil in 1 Hz steps:
f1 = 14,159.616 (-60 dB)
f2 = 14,163.649 (- 6 dB)
f3 = 14,162.348 (-6 dB)
f4 = 14,162.381 (-60 dB)
For the shape factor, use the formula [f4 - f1] / [f3 - f2]
[14,162.381 - 14,159.616] / [14,163.348 - 14,163.649] = 1.02.
Again, note the exact bandwidth of 2.7kHz between the f2 and f3 - 6dB points. That 1.02 shape factor is not a misprint :-)
Paul, W9AC
Good idea......we frequently slow down a bit for the weak ones anyway. Either an option as you suggested or just automatically sharpen up when the speed is below a certain value (e.g. 25 WPM?)
Regards, Al / NN4ZZ
al (at) nn4zz (dot) com
I just realized why the automatic option won't always work. The speed is only known when using the internal keyer. So your idea of the "sharp" option is better but I guess it also has a risk (increased latency) if engaged when QSK at high speeds.
Does that make sense?
Regards, Al / NN4ZZ
al (at) nn4zz (dot) com
Don't get hung up on the ratios. Both 100 and 250 wide have about 30hz from -6 to -60 on each side, only the initial width changes. The math makes the ratio worse.
Do this on a 10hz bandwidth and the ratio would look horrible.
Besides, without a slight slope I couldn't demodulate a 2M FM signal on an AM filter slope.
If I can summarize, from 50 hz to 399 hz the filter shape factor gets better and better as it approaches 1.1 to 1 at the 400 hz boundry, then goes back to something like 1.6 to 1 at 401 hz and gets better and better until it approaches the next boundry at 1000 where it will be around 1.1 to 1 again.
The 1.6 to 1 shape factor at 100 hz is pretty impressive. And what can I say about 1.02 to 1 for SSB filters. That is truly "brick wall".
As Al and Paul said above, a non-QSK operator would not mind a little more latency through a 50 or 100 hz filter, if doing so could produce a 1.1 shape factor. As you have probably witnessed on the recent DXpeditions, QRMers often get very close to the DX station's frequency. It may be possible to attenuate the QRMers enough to copy the DX station with a 50 or 75 hz filter that has a 1.1 to 1 shape factor. As for latency......"Latency is in the eyes of the beholder."
Good job with the Ver 1.1 filters Steve.
Good analysis, Charles. What you've shown also applies to crystal filters, but unlike the mathematical perfection attained in DSP, as the crystal filter's bandwidth decreases, even slight slope imperfections have an impact on shape factor and symmetry from center.
Putting this into perspective, look at the shape factor of the best INRAD crystal filters. Due to manufacturing cost and inability to attain repeatable tolerance, I don't believe they offer one under 250 Hz. Their typical 250 Hz filter (at 8 MHz) has a shape factor of 2.2.
https://www.inrad.net/product.php?productid=203&cat=90&page=1
In addition to nearly perfect control of the slope, the DSP filters are providing much better ultimate filtering well beyond the -60dB point where crystal filters are subject to degradation due to I/O isolation and other ****-by effects that limit ultimate filtering performance. Thru-loss also escalates as a crystal filter becomes narrow. Look at the schemes developed by competing manufacturers to compensate for that loss.
It would be interesting to plot an overlay of the Flex's filters on top of a comparable INRAD crystal filter.
Here you go! Below is a graphic for the inrad 250 HZ filter in BLACK and the FLEX 250 Hz filter overlaid on it in RED using Paul's data.
6 Db = 260 HZ
60 Db = 320 Hz
The 1.2 shape looks very good to me!
Regards, Al / NN4ZZ
al (at) nn4zz (dot) com
Nice work, Al. Probably the top portion on the Flex plot is flatter than shown. It would just require me to capture more data points on Hz-by-Hz basis between filter center and the -6 dB points.
Paul, W9AC
This is probably more like it then....also moved the 60DB points slightly.
Regards, Al / NN4ZZ
al (at) nn4zz (dot) com
If there is a close by interfering signal, then the brick wall filter will be better. Assume the BLUE signal is the offending one in the snapshot below. The Yellow is the the overlap for the Inrad filter. Much less for the Flex filter. It probably makes a lot more difference when the signal you want to hear is a weak DX signal.
Regards, Al / NN4ZZ
al (at) nn4zz (dot) com
I figured you would do it even without my challenge... ha.
Impressive performance.....
Now, can you superimpose a 50 or 24 Hz filter on top of the INRAD so we can REALLY brag?
I demonstrated my 6500 to the local ham club last night. I had it connected to my 20 Meter Hustler mobile antenna with a long jumper fed through a window into the meeting room.
I started with the big pileup on 20 CW from one of the big DXpeditions.
I used the 3K wide filter and it was mayhem! and said "This is what most of our rigs would hear without a good CW filter.
Then I switched in the 250 Hz filter and said "This is what it sounds like with a good CW filter." There were still 3 or 4 signals in the passband, but several people said "Wow, pretty nice."
Then I said, "You haven't seen anything, yet."
I set the 50 Hz filter and the Audio Peak Filter and there was only ONE signal, weak, right beside a very strong signal. And it stood out from a practically noiseless background.
That turned some heads! And then I went A/B between the 3 Khz wide and 50 Hz filter several times. Going split with the 50 Hz filter on one frequency and a 400 Hz on another freq about 20 Khz away with one in the left ear and the other in the right polished off that part of the demo. "And that is how I worked the big DXpedition barefoot with a dipole! I can't wait for my T-11 up 55 ft.!)
I had to brag a little bit..... But as they say in Texas..."It ain't braggin' if ya can do it!"
And this FLEX can do it!
Ken - NM9P